The global box office landscape for "Star Wars: Episode II — Attack of the Clones" is showing signs of decline, with audiences overseas losing interest at a pace comparable to domestic trends. While the film initially performed strongly, recent figures reveal a significant drop, especially in European markets.

In Germany, the film's third week saw a steep decline, leading local distributors to believe the "Star Wars" fever is cooling faster than anticipated this season. Similarly, in Spain, the movie experienced a 30% decrease, tracking 35% lower than the first installment, "The Phantom Menace," which disappointed some exhibitors expecting better results, especially given the absence of stiff competition there.

Across the UK, the film's earnings fell over the holiday weekend of May 31 to June 2, coinciding with the Queen’s Jubilee and warm weather, which kept audiences away. However, a rebound occurred on June 3 and 4, fueled by the start of the mid-term school break, giving exhibitors hope for renewed momentum.

Overall, the Jedi saga earned approximately $18.2 million across 70 countries during the weekend, bringing its global total to $166.4 million by June 4. Despite strong openings, "Clones" appears unlikely to match the massive $494 million overseas haul of "The Phantom Menace." Nonetheless, industry insiders anticipate a robust performance in Japan, where the film arrives in July, with projections around $350 million worldwide.

Meanwhile, "Spider-Man" has been making impressive gains, earning $14.4 million from 3,551 screens in 34 countries, pushing its total earnings to over $127.6 million. The superhero film set a new record in Colombia with an $1.2 million opening on just 150 screens, surpassing the record previously held by "Harry Potter and the Sorcerer’s Stone." In Mexico, it has become the highest-grossing film ever, with $24.5 million, and in Brazil, it ranks as the second highest, just behind "Titanic," with $12.4 million.

International markets also welcomed new releases like "Shaolin Soccer," which debuted strongly in Hong Kong with $3.8 million in four days and enjoyed positive audience reception in South Korea.

" Panic Room" outperformed "Erin Brockovich" in several Asian markets such as Singapore and Thailand, and also saw success in Mexico, earning $1.5 million on 356 screens, doubling the earnings of the latter. Its worldwide total now exceeds $69 million across 45 countries.

In Germany, "40 Days and 40 Nights," a romantic comedy, attracted a teenage crowd and outperformed "Clones" at the box office. Similarly, "Snow Dogs," a sleeper hit in the U.S., had a slow start in the UK but gained momentum during the holiday period.

The UK also saw modest results for "The Time Machine," which grossed $38.5 million across 36 territories, while Warner Bros.' "Showtime" performed reasonably well in Brazil, accumulating $31.3 million in 39 markets.

In Australia, "The Hard Word," a comedy featuring Guy Pearce and Rachel Griffiths, opened better than local favorites like "Two Hands" and "Lock, Stock & Two Smoking Barrels," though some exhibitors were surprised that UIP’s "Charlotte Gray," starring Cate Blanchett, drew more media attention and opened with strong numbers. This WWII drama marked its best international debut after less successful runs in the U.S., UK, Spain, Holland, and Brazil.

France experienced a mixed response, with "Not Another Teen Movie" resonating with local audiences, and Claude Lelouch’s Cannes-winning "And Now... Ladies and Gentlemen" benefiting from a solid marketing push. The controversial "Irreversible" continued to generate interest after Cannes, although it underperformed in Italy.

Market conditions in Italy remained sluggish due to the lack of strong new releases, with several films like "Hart’s War," "State and Main," and "The Third Wheel" failing to make significant impact, as they lingered on studio shelves and failed to ignite local audiences.

This overview highlights a shifting international film market, with some franchises maintaining strength while others face decline amid changing viewer preferences and competitive releases.

What are the Harry Potter Movies about and Where to Watch

The Harry Potter film series chronicles the epic adventures of the titular boy wizard and his friends as they confront the dark wizard Voldemort. For fans wondering where to watch harry potter, the movies are widely available through major subscription services and for digital purchase or rental.

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